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De Georges Didi-Huberman
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Pas de description pour ce produit.“A book is the only place in which you can examine a fragile thought without breaking it.” –Edward Morgan
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In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century.
Fra Angelico: dissemblance & figuration User Review - Not Available - Book Verdict Fra Angelico, a Dominican monk, covered the walls of the Church of San Marco in Florence with elegant frescoes from 1440 to 1452.
Fra Angelico paints The Madonna of the Shadows; Knille For Georges Didi-Huberman, Fra Angelico's work is both devout and subtle. This was particularly true of the San Marco frescoes, painted as meditation aides for th Fra Angelico was born Guido di Pietro in the late 14th century and was already well known as a painter when he entered a Dominican community.
FRA ANGELICO: DISSEMBLANCE AND FIGURATION del autor GEORGES DIDI-HUBERMAN (ISBN 9780226148137). Comprar libro completo al MEJOR PRECIO nuevo o segunda mano, leer online la sinopsis o resumen, opiniones, críticas y comentarios.
Fra Angelico : dissemblance & figuration. [Georges Didi-Huberman; Angelico, fra] -- A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project.
Fra Angelico: Dissemblance and Figuration Georges Didi-Huberman. 5.0 out of 5 stars 1. Hardcover. 21 offers from $113.00. Next. Customers who bought this item also bought. Page 1 of 1 Start over Page 1 of 1 . This shopping feature will continue to load items. In order to navigate out of this carousel please use your heading shortcut key to ...
Didi-Huberman explores Fra Angelico's solutions to these problems—his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith.
In doing so, he aims to alter our understanding of both early Renaissance art and the processes of art history. A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project.
La dissemblance des figures selon Fra Angelico (Georges Didi-Huberman, Mélanges de l'école française de Rome, 1986, 98-2, p. 709-802) - [Première partie du livre Fra Angelico. Dissemblance et figuration , sans les illustrations].
Fra Angelico: Dissemblance and Figuration. University of Chicago Press, 1995. University of Chicago Press, 1995. ISBN 0-226-14813-0 Discussion of how Fra Angelico challenged Renaissance naturalism and developed a technique to portray "unfigurable" theological ideas.
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